If you’ve recently purchased a Sony a6500 camera and are searching for a new lens to go with it on your next trip, search no further. There are a lot of lenses available for Sony cameras, so which ones are the best travel lens for the Sony a6500? Believe me, your Sony a6500 camera is a good investment. So, why not round it out with some fantastic Sony a6500 lenses to help you expand your imagination and talents as a photojournalist?
Here’s the thing, when it comes to choosing lenses, the very first factor to look at is what kind of objects you like to photograph. To achieve good bokeh, portrait photographers want anything in the midrange to telephoto ranges.
In my case, I love to shoot a wide range of things and need a wide range of focal lengths from the camera lenses. Secondly, you’ll want a versatile lens that you can put on your camera the entire time to capture a broad range of scenes.
In this article, I have tested and mentioned some best travel lenses for the Sony a6500, including the best prime lenses, best Sigma lenses, and best Sony lenses for landscapes and portraits. Also, I compiled the best travel lens for Sony a6500 lenses that will be best for telephoto, video, and best wider viewing! So let’s jump into it.
- 1 10 Best travel lenses for Sony a6500
- 1.1 Sony 16-55mm f2.8 lens: Best Overall Travel Lens
- 1.2 Tamron 17-70mm f/2.8 Di III-A VC RXD Lens: Editor’s choice
- 1.3 Sony E PZ 18-105mm f/4G OSS: The best lens for sharp images
- 1.4 TAMRON 11-20MM F/2.8 DI III-A RXD: Best lightweight lens
- 1.5 Sony – E 10-18mm F4 OSS: The best lens for vlogs
- 1.6 Sigma 56mm f1.4: The best lens for portrait photography
- 1.7 Sony 35mm f1.8: Best Low-Cost Travel Lens
- 1.8 Sony Alpha 70-350mm F4.5-6.3 G OSS: The best lens for wide-range shots
- 1.9 Tamron 70-300mm F/4.5-6.3 Di III RXD: Best budget-friendly lens
- 1.10 Sigma 16mm f/1.4: The best lens for landscape photography
- 2 Best travel lens for Sony a6500 Buyer’s guide
- 3 Conclusion
- 4 Frequently ask questions
10 Best travel lenses for Sony a6500
Sony 16-55mm f2.8 lens: Best Overall Travel Lens
The Sony E 16-55mm f/2.8 G is a powerful standard zoom lens for Sony APS-C E-mount cameras, such as the Sony a6500. It features a continuous F2.8 aperture. Furthermore, it has a variable zoom ability that covers a focal range equal to 24-82.5mm in a 35mm full-frame.
This lens contains a fairly close 9-blade diaphragm with 17 elements in 12 groups. Also, it features two AA (advanced aspherical) and 2 aspherical components for imparting a blur for an appealing image in out-of-focus parts.
The Sony E 16-55mm f/2.8 G is a lightweight and compact lens that weighs 494g and measures exactly 10cm in length. I’ve used to mount this lens on my Sony a6500 for over a year and believe me the quickest auto-focus made this lens best for the Sony a6500. Not to forget, the metal lens mount of the Sony E 16-55mm f/2.8 G accommodates 67mm filters. Additionally, the focus ring on the Sony E 16-55mm f/2.8 G is small and rigid.
The separate AF/MF switch can be used to control AF and MF for manual framing. On the left side of the barrel, there was a focus hold button that helped me in effortless focus hold control. The Sony E 16-55mm f/2.8 G lens comes with a hard-shell case and an excellent plastic petal-shaped lens hood, which is a classy bonus.
Moreover, the Sony E 16-55mm f/2.8 G comes with an angle of vision of 29° at a 55mm focal length. Lastly, the viewing angle is 83 ° at the 16mm focal length.
Overall, the E 16-55mm has excellent optical clarity and a solid great design. Also, this lens is quite small making it the best travel lens for the Sony a6500. Although the Optical stabilization has been not as flawless as I expected it to be.
However, across the zoom range, the resolution remains constant. Basically, the 16-55mm retains a remarkable quantity of insight which is why this is the lens I used the majority of the time during my travels.
Tamron 17-70mm f/2.8 Di III-A VC RXD Lens: Editor’s choice
The Tamron 17-70mm F/2.8 Di III-A VC RXD is a rapid zoom lens with an F2.8 aperture that stays unchanged across the focal range. This is the only F2.8 standard zoom lens that I found with a 4.1x zoom ratio in my travel history. Furthermore, this lens features a wide zoom capacity that delivers a 35mm full-frame effective focal length of 25.5-105mm.
Tamron’s 17-70mm zoom lens Sony has 16 components in 12 groups that are suitable for your Sony a6500. Three of them are aspherical, and two of them have a low dispersion. Also, it boasts a relatively close 9-blade diaphragm that generates a pleasing blur in the object’s out-of-focus portions. I think the lowest focusing area of 0.19m and a high magnifying of 0.21 x provided by this lens is quite outstanding.
The Tamron 17-70mm F/2.8 Di III-A VC RXD is a lightweight and compact lens that weighs 525g and measures – nearly 12cm in length. Although it’s primarily a high-grade plastic design, the Tamron 17-70mm Sony looks sturdy in your palm.
Moreover, it comes with a metal lens mount and 67mm filter slots. Additionally, this lens focus ring is small and rigid. Manual focus is just accessible through the settings menu. Not to forget, this lens comes with a decent-grade plastic petal-shaped lens cover included. The angle of vision is 79° 55′ with a 17mm focal length. The angle of vision at 70mm focal length is 23°.
Lastly, when closed up to f/22, the Tamron 17-70mm F/2.8 Di III-A VC RXD can produce some stunning pictures.
All in all, the Tamron 17-70mm F2.8 Di III-A VC RXD lens offers great images with blurred backgrounds and razor-sharp outcomes with your Sony a6500 APS-C camera. It creates very clear images and has inbuilt optical stabilization. Additionally, it performs admirably in low light, and is half the cost of Sony’s 16-55mm F2.8 lens! However, unlike focusing, there is no specific button to turn this on or off, necessitating you to open the navigation menu. Nevertheless, it comes extremely near half the price of Sony 16-55mm.
Sony E PZ 18-105mm f/4G OSS: The best lens for sharp images
The Sony E PZ 18-105mm f/4G OSS is the initial E-mount G Lens that fits well with the Sony a6500 while you travel across. This lens comes with a fixed F/4 aperture that enables flexible 6x zoom power. Furthermore, the lens features unique optical components that include 16 lens elements organized into 12 groups.
This includes three aspherical and two extra-low-distortion components. The Sony E PZ 18-105mm f/4G OSS lens is 11cm long and 427g in weight, making it significantly larger and bulkier than most other comparable cameras. The Sony E PZ 18-105mm f/4G OSS lens comes with an integrated quick zooming button on the left-hand side.
The focus ring of the Sony E PZ 18-105mm f/4G OSS lens is fairly broad, which is helpful when you capture images while traveling. When I attached this to the Sonya6500, this lens showed to be a rapid auto-focus shooter. It required roughly 0.2 seconds to focus on the target. Sony E PZ 18-105mm f/4G OSS lens is compatible with the wide 72mm filters.
Despite the fact that the Sony E PZ 18-105mm f/4G OSS has a plastic body, the lens mount is, thankfully, metal. Lastly, the Sony E PZ 18-105mm f/4G OSS power zoom lens has an angle of vision of 76 ° with 18mm.
In brief, the Sony E PZ 18-105mm F4 G OSS lens boasts a huge zoom range and a powerful construction that’s the ideal travel lens for the Sony a6500. This lens is optically stabilized so you can capture great images while on the go. However, this lens doesn’t come with fluoride covering or any dust protection like competitors. So, you may have to make sure to clean the lens very often.
TAMRON 11-20MM F/2.8 DI III-A RXD: Best lightweight lens
The Tamron 11-20mm F2.8 Di III-A RXD is a speedy ultra-wide-angle lens with an F2.8 aperture that remains stable all across the focal range. The Tamron 11-20mm F2.8 Di III-A RXD is an extremely lightweight and compact lens, weighing 335g and being over 8.6cm long.
Considering its primarily high-grade plastic build, the Tamron 11-17mm Sony appears robust in your grip. In addition, this lens is built with a metal lens mount. Also, the lens easily allows 67mm filter apertures to fit. The focus ring on the Tamron 11-20mm F2.8 Di III-A RXD is small and rigid.
The viewing angle is 105° 20′ at 11mm focal length. The field of vision at 20mm focal length is 71° 35′. What’s more, is that Tamron has included dirt and water shielding on the front panel. Also, the anti-smudge fluorine covering made this the best travel lens for the Sony a6500.
Not to forget, the 11-20mm lens is compatible with 67mm filters. Lastly, it comes with a lens cover for added protection against incidental scratches and lens flaring.
Briefly, the 11-20mm F2.8 Di III-A RXD lens from Tamron is a broad, weather-protected lens with superb optics. It’s a great wide-angle lens for your Sony a6500 APS-C camera. As the Tamron 11-20mm F2.8 Di III-A RXD lacks optical image stabilization, I had to depend on my camera’s designed stabilization.
Sony – E 10-18mm F4 OSS: The best lens for vlogs
The Sony E 10-18mm F4 OSS is one of the ultra-wide zoom lenses that is suitable to carry around on travel. It’s a small, light lens with a wide field of view that works well with the Sony a6500 camera. This lens is the best Vlogging lens that I prefer over the Tamron 11-20mm F2.8 lens that I previously suggested. Although the Tamron lens is great and inexpensive, it lacks optical stabilization, something the Sony 10-18mm F4 lens provides.
Optical stabilization is important for vlogging because you’ll often be filming both traveling and speaking loudly. Furthermore, this lens weighs only 7.9 ounces and has dimensions of 2.5 x 2.8 inches. Although the E 10-18mm has a little curvature, the glass is so deep in the frame that a 62mm filter can be used if desired.
Also, there are two additional rings, one with a knurled surface and the other without. The zoom ring is positioned closer to the body of the camera. When tried on the Sony a6500, this lens is crisp and features automatic distortion correction. Moreover, Sony E 10-18mm F4 OSS has the same field of vision as a 15-27mm lens on a full-frame camera. Lastly, the Sony E 16-55mm f/2.8 G’s metal lens mount accepts 62mm filters.
Overall, the Sony 10-18mm f/4 wide-angle zoom lens is a sharp sight that makes the NEX camera an ultra-wide viewpoint. This lens comes with a sharp auto-focus that allows clear images. Also, you get a noise-free photography environment. However, this lens doesn’t include any protection from dust and moisture which is a downside of this lens.
Sigma 56mm f1.4: The best lens for portrait photography
The Sigma 56mm F1.4 DC DN is just the lens I was looking for on my Sony a6500. This lens is compact, lightweight, rapid and most importantly, it’s inexpensive. The Sigma 56mm f1.4 boasts a 56mm focal length that enables you to get the backdrop closer, making it ideal for portraits. I adore having a lens that can provide gorgeous bokeh in the background while photographing portraits.
The metal outside is combined with plastic inside components making this lens lightweight and sturdy. I particularly appreciate the 2.34-inch barrel length. Furthermore, the 56mm lens is 2.3 × 2.6 inches in diameter and weighs only 9.9 ounces. Also, this lens takes 55mm frontal filters. This is widely regarded as the optimum portrait photography focal length, with a full-frame comparable focal length of 84mm.
The Sigma 56mm f/1.4 features a high level of climate and dust proofing, which is another significant feature. Moreover, this is a fairly straightforward lens. The rubberized focusing ring is the only rotating part. Lastly, this lens’s fast f/1.4 aperture undoubtedly helps it achieve quick and precise focus in low light.
Overall, I was astounded by the Sigma 56mm f/1.4 lens. It appears to have all of the characteristics of a high-performing lens: superb build quality, fast focusing, great picture quality, and a terrific price. It’s among the priciest Sigma prime lenses comparable with APS-C, but only by a little. You can’t really argue with the Sigma 56mm f/1.4 if you are searching for a portrait lens for the Sony a6500 at a low cost. It’s wonderfully suited for portrait photography, with outstanding bokeh and crispness.
Sony 35mm f1.8: Best Low-Cost Travel Lens
The Sony 35mm f1.8 is a wonderful choice for a travel lens if you prefer photography on move. This lens features a 35mm focal length, which is comparable to 52mm with a full-frame camera. The E 35mm F1.8 OSS is a compact lens with dimensions of 1.8 × 2.5 inches and weighs 5.4 ounces.
Furthermore, it accepts 49mm front filters, which are the same size as those found on several Sony cameras including the Sony a6500. A foldable lens hood and front and back caps are provided with this lens. The E 35mm achieves a relatively consistent viewing angle of 50mm on a full-frame camera.
This wider aperture will have a depth of field, with a clear line of focus and a blurred surrounding that is best for the Sony a6500. Also, the boasted F1.8 aperture makes it perfect for subject separation and low-light shots. Additionally, for creating a spectacular bokeh effect this allows great background without zooming in as much as the Sigma 56mm F1.4 lens. Lastly, the lens construction includes two aspherical elements to decrease monochromatic aberrations.
Briefly, the Sony’s E 35mm f/1.8 OSS Lens is a multipurpose and compact alternative that may be used in a number of cameras including the Sony a6500. It has a fast f/1.8 maximum aperture, which is best to work in dim lighting and capture shallow depth-of-field photographs. It also has assembled Optical Steady Shot image stabilization, which helps to eliminate camera shake and provide better images. However, this camera lacks weather protection which can be a hassle sometimes.
Sony Alpha 70-350mm F4.5-6.3 G OSS: The best lens for wide-range shots
Sony 70-350mm lens is an ultra-wide telephoto lens suitable for generally any Sony APS-C camera, but I used to attach it with a6500. This lens features integrated optical stabilization for the minimal distortion possible.
With a weight of just 625g and a length of 14.2cm, the Sony E 70-350mm F4.5-6.3 G OSS is surprisingly lightweight and compact for the extremely wide focal range it offers. Also, this lens seems strong in your hand even though it is totally built of plastic and has a metal lens mount. Additionally, the zoom ring is broad and features a grooved, rubberized grip band.
The designed Image Stabilization on the Sony E 70-350mm F4.5-6.3 G OSS is operated through the use of the On/Off button on the edge of the lens. While using this lens I noticed that Sony’s IS system can also recognize deliberate panning action. This in turn used to convert from Standard IS to Panning IS mode instantly which makes this lens best for the Sony a6500.
There is an AF/MF switch that allows control around AF and MF for manual framing. The Sony E 70-350mm F4.5-6.3 G OSS features a rather thin focus ring. If brought out to f/16 and f/22, the Sony E 70-350mm F4.5-6.3 G OSS generates very amazing sun stars. Further, this lens provides an angle of vision of 22 ° at a 70mm focal length. Lastly, the viewing angle is 4 40° at the 350mm focal length.
In short, the Sony E 70-350mm F4.5-6.3 G OSS is an APS-C camera-friendly telezoom lens. It’s tough and precise, and it comes at a reasonable price. This lens is the best telephoto travel lens for the Sony a6500 thanks to its small size and extraordinary reach of 350mm. However, to reduce distortion, it relies on characteristic adjustments. This lens was my best companion for capturing close-up shots.
Tamron 70-300mm F/4.5-6.3 Di III RXD: Best budget-friendly lens
The Tamron 70-300mm F4.5-6.3 Di III RXD is the smaller and lightest zoom lens I have attached to my Sony a6500. This Tamron 70-300mm telephoto zoom boasts a moisture-sealed body and an RXD step-focusing motor for silent and fast autofocus performance. It features an iris diaphragm having seven rounded aperture blades and is made up of 15 parts in 10 groups, with one low-dispersion focal element.
The Tamron 70-300mm F4.5-6.3 Di III RXD is a remarkably small and compact lens for a lens with optimum efficiency of 300mm. It reaches about 15cm long and weighs only 545g. When completely expanded out to 300mm, the lens expands by around 6cm.
Moreover, given its aluminum-magnesium alloy build, the Tamron 70-300mm F4.5-6.3 Di III RXD appears solid in the grip. Also, the zoom ring features a ridged, rubberized grip band and is quite wide. The angle of vision at 70mm focal length is 34°21′. Lastly, the angle of vision is 8°15′ at a 300mm focal length.
All in all, the Tamron 70-300mm F4.5-6.3 Di III RXD telephoto lens comes with good image quality for a current aperture. This is lighter and less expensive than competitors. The Tamron 70-300mm is somewhat more appealing if you are using a Sony a6500, thanks to high center sharpness. The downside I found in this lens is that optical stabilization isn’t available. Also, for me, it was a bit hard to find the focusing ring in a hurry as it is thinner than the zoom ring.
Sigma 16mm f/1.4: The best lens for landscape photography
The sigma 16mm f1/4 is among the clearest lenses suitable for the Sony a6500. This lens comes with autofocus that is precise and efficient. The color reproduction is fantastic, and the photos are crisp from one side to the other. Furthermore, the 16mm lens range is long enough to provide a wide view, but it’s also good for scenery and landscape photos.
Also, the 16mm F1.4 lens comes with dimensions 3.6 x 2.8 inches and weighs 14.3 ounces. Moreover, this lens accepts 67mm front filters. Not to forget, it has a strong polycarbonate and metal frame, and a wide rubber manual focus dial. Additionally, this lens features dust and moisture resistance built-in, just like other recent Sigma lenses.
Although it’s a little huge for the a6500’s frame, the combination feels well-adjusted for handheld shots. The lens offers an angle of vision comparable to a 24mm lens on a full-frame system. Personally, I liked the wide aperture for the broad and bright handheld shoot that minimizes the need for stabilization. If you’re going to be shooting while you travel around, I would suggest having sensor-based stabilization.
I absolutely suggest the Sigma 16mm f/1.4 for Sony a6500 and other Micro Four Thirds cameras if you like an amazingly wide field of view. It’s tough, the autofocus is great, and the sharpness is far better than you’d anticipate at this low price.
The lens has no controls or switches keeping the design as straightforward as feasible. For video photographers, it would be wonderful if Sigma had an auto/manual focus option. But it still works fine with switching focus on/off on the body of the camera.
Best travel lens for Sony a6500 Buyer’s guide
To go for the best lens, think about what you should get for choosing the lens. What sort of image do you like to capture? Do you primarily photograph landscapes and scenery? Once you know what type of lens you need, compare it against the lens’s features. These can include weight, price, and overall performance. But these are not the only things you must think about. Let’s go over some other things to think of before reaching a choice:
Field of vision
Travel photography generally takes in a lot of magnificent areas. The lens should have an immeasurable field of view to seize the entire sight in front of your eyes. This will allow you to focus on distant objects without any distortions. Also, a high focal length can get your photographic angle to be precise and accurate.
Weight and size
When selecting a lens for the Sony a6500, the overall weight is also an important consideration. The Sony a6500 is light, making the lens ideal for uninstalling and keeping. If you’re using a huge lens, it may cause a difference and be quite difficult to operate.
Most importantly, there’s a motive for you to buy a compact camera in the first place. Give importance to portability when shopping for the best travel lens for the Sony a6500. Believe me when I say that you’ll find it difficult to take massive volumes of photographic equipment on your trips.
Since camera lenses are expensive, your budget is a crucial consideration when choosing the finest Sony a6500 lens. Only get the lens if you’re certain you’ll use it again! If you’re just starting up with photography, go with a solid lens that could handle a variety of shots. It’s often preferable to have a single high-end lens rather than a bunch of new low-cost, low-quality lenses.
This technology isn’t as necessary for the Sony a6500 because it comes with assembled 5-axis stabilization. However, possessing lens stabilization is a benefit if you want to undertake video editing or go for a telephoto lens. Since it will facilitate clearing out tiny oscillations much more.
This is also a must-have feature if you are traveling under various weather conditions. Furthermore, while the Sony a6500 is not a weather-protected camera, it is sturdy enough to withstand a variety of weather situations. If you use a weather-sealed lens, you will easily photograph in even the most severe weather.
To summarize, being a travel blogger I compiled the best travel lens for the Sony a6500 as I started my traveling with this unique camera. Not just the lenses, I also mentioned their features, pros, and drawbacks to simplify your choice.
It can be hard to sort through several lens alternatives for the Sony a6500. With my selection of the 10 best travel lens options, I believe I’ve helped you limit down the field slightly. Choosing camera lenses has the advantage of maintaining their value over time. That implies you can usually sell it quickly if the camera is not fitted to your needs.
Are you aware of any other best lens for the Sony a6500 that I forgot to add to my list? Please do share your thoughts with us in the comments underneath. Before that let us have a quick review of our top three lenses:
- Best overall travel lens, Sony 16-55mm f2.8 lens: This lens features a continuous F2.8 aperture. This lens contains a fairly close 9-blade diaphragm with 17 elements in 12 groups. On the left side of the barrel, there was a focus hold button that helped me in effortless focus hold control. Also, this lens is quite small making it the best travel lens for the Sony a6500.
- Editor’s choice, Tamron 17-70mm f/2.8 Lens: This is the only F2.8 standard zoom lens that I found with a 4.1x zoom ratio in my travel history. Tamron’s 17-70mm zoom lens Sony has 16 components in 12 groups that are suitable for your Sony a6500. Also, this lens offers great images with blurred backgrounds and razor-sharp outcomes with your Sony a6500 APS-C camera. It creates very clear images and has inbuilt optical stabilization.
- Best lens for sharp images, Sony E PZ 18-105mm f/4G OSS: This lens comes with a fixed F/4 aperture that enables flexible 6x zoom power. The focus ring of the Sony E PZ 18-105mm f/4G OSS lens is fairly broad, which is helpful when you capture images while traveling. Also, this lens is optically stabilized so you can capture great images while on the go.
Frequently ask questions
What are the lenses every photographer should own?
There are a few different types of lenses that every photographer should own in order to be able to capture a variety of images. A wide-angle lens is essential for getting those sweeping landscapes or large group shots. A telephoto lens is perfect for getting up close and personal with your subject, whether it’s a wild animal or a shy child. And finally, every photographer should have a macro lens for taking close-up shots of small objects or details. With these three lenses, you’ll be able to take any type of photograph imaginable.
What is a telephoto lens?
Telephoto lenses are commonly used to photograph nature from a range since they enable the capture of sharp photographs of subjects that are really long distances.
Is it possible to access a full-frame lens on the Sony a6500?
Yes, the Sony a6500 is compatible with all Sony FE lenses. Just keep in mind that the focal lengths may not precisely coincide. Thus, you’ll need to magnify them by 1.5.
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